*ghosts don’t like new things , installation view, Atelier Néerlandais, Paris+ by Art Basel, Paris, 2023. Photo: Margot Montigny.
*ghosts don’t like new things , installation view, Atelier Néerlandais, Paris+ by Art Basel, Paris, 2023. Photo: Margot Montigny.
*ghosts don’t like new things , installation view, Atelier Néerlandais, Paris+ by Art Basel, Paris, 2023. Photo: Margot Montigny.
*ghosts don’t like new things , installation view, Atelier Néerlandais, Paris+ by Art Basel, Paris, 2023. Photo: Margot Montigny.
The Same Room, installation view, *ghosts don’t like new things , Atelier Néerlandais, Paris+ by Art Basel, Paris, 2023. Photo: Margot Montigny.
*ghosts don’t like new things , installation view, Atelier Néerlandais, Paris+ by Art Basel, Paris, 2023. Photo: Margot Montigny.
Knock , Atelier Néerlandais, Paris+ by Art Basel, Paris, 2023. Photo: Margot Montigny.
The Same Room , 2023 digital 4K color video, 16:9, stereo sound 6 min 43 second loop Annet Gelink Gallery, Art Island, IJmuiden, 2023. Photo: Michel Claus.
The Same Room , 2023 digital 4K color video, 16:9, stereo sound 6 min 43 second loop Annet Gelink Gallery, Art Island, IJmuiden, 2023. Photo: Michel Claus.
The Same Room , 2022 architectural environment, 220x366x366 cm wood, carpet, furniture, lights, clothes, personal items Bonnefanten Museum, 2022. Photo: Peter Cox.
The Same Room , 2022 architectural environment, 220x366x366 cm wood, carpet, furniture, lights, clothes, personal items Bonnefanten Museum, 2022. Photo: Peter Cox.
The Same Room , 2022 architectural environment, 220x366x366 cm wood, carpet, furniture, lights, clothes, personal items Bonnefanten Museum, 2022. Photo: Peter Cox.
The Same Room, 2022 architectural environment, 220x366x366 cm wood, carpet, furniture, lights, clothes, personal items Bonnefanten Museum, 2022. Photo: Peter Cox.
The Same Room, 2022 architectural environment, 220x366x366 cm wood, carpet, furniture, lights, clothes, personal items Bonnefanten Museum, 2022. Photo: Peter Cox.
The Same Room , 2022 architectural environment, 220x366x366 cm wood, carpet, furniture, lights, clothes, personal items Bonnefanten Museum, 2022. Photo: Peter Cox.
The Same Room , 2022 architectural environment, 220x366x366 cm wood, carpet, furniture, lights, clothes, personal items Bonnefanten Museum, 2022. Photo: Minne Kersten.
Bright Moonless Night 2022, gouache on cardboard, 24×31 cm Bonnefanten Museum, 2022. Photo: Peter Cox.
Bright Moonless Night, installation view, Bonnefanten Museum, 2022. Photo: Peter Cox.
Constant Companion 2021-2022, installation, various materials, 273x330x230 cm. Installation View: Volkskrant Visual Art Prize, Stedelijk Museum, Schiedam, NL, 2022 photography Pauline Niks
Leak , installation view, The 16th Biennale Lyon, Jeune Création Internationale , Institut d’art contemporain, Villeurbanne, FR, 2022. Photo: Blandine Soulage.
Leak , installation view, The 16th Biennale Lyon, Jeune Création Internationale , Institut d’art contemporain, Villeurbanne, FR, 2022. Photo: Blandine Soulage.
Leak , installation view, The 16th Biennale Lyon, Jeune Création Internationale , Institut d’art contemporain, Villeurbanne, FR, 2022. Photo: Blandine Soulage.
Leak , installation view, The 16th Biennale Lyon, Jeune Création Internationale , Institut d’art contemporain, Villeurbanne, FR, 2022. Photo: Blandine Soulage.
Leak 2020 digital HD video, 4:3, color, sound 3 minute 2 second loop
Installation View: They Won’t Stand Time, Living Art Museum, Reykjavik, IS, 2022 photography Vigfus Birgisson
Installation View: They Won’t Stand Time, Living Art Museum, Reykjavik, IS, 2022 photography Vigfus Birgisson
Installation View: Scenes, Annet Gelink Gallery, Amsterdam, NL, 2022 photography Michel Claus
Sun Is Coming Down 2020 / gouache on cardboard / 18×22 cm
Moon Rising 2020 / gouache on cardboard / 29×21 cm
Fabulator 2022, airco-unit blowing smoke rings / 60x30x80 cm / computer automated mechanism Installation View: Welcome Stranger, Amsterdam, NL, 2022 photography Fabian Landewee
Installation View: Art Rotterdam, Annet Gelink Gallery, Van Nelle Fabriek, Rotterdam, NL, 2022
Untitled 2021 / gouache on cardboard / 23 x20 cm
Signifier 2022 / gouache on cardboard / 14×20 cm
Totem (I) 2021 / gouache on cardboard / 18×27 c m
Container 2021 / gouache on cardboard / 14×17 cm
Totem (II) 2021 / gouache on cardboard / 16×21 cm
Constant Companion Installation View: Annet Gelink Gallery, Amsterdam NL, 2022
Constant Companion Installation View: Annet Gelink Gallery, Amsterdam NL, 2022
Constant Companion Installation View: Annet Gelink Gallery, Amsterdam NL, 2022
Constant Companion , installation view, Fabulous Facts, True Fictions, De Ateliers, Amsterdam, NL, 2022. Photo: Maarten Nauw
Constant Companion 2021 / 273x330x230 cm / various materials Installation View: Hotel Maria Kapel, Hoorn, NL, 2021
Constant Companion Installation View: Hotel Maria Kapel, Hoorn, NL, 2021
This video-installation brings forth the mythological figure of the Raven as its main protagonist. The Raven is used as a leitmotif to speculate about architectural concepts like Stone Tape Theory and Place Memory . Both these concepts hold the idea that some buildings are receptive to the energy produced by traumatic or emotional events, which they record and store. ‘In the history of arts and popular culture, the raven is a well-known symbol. The dark bird often appears as an omen, a messenger of misfortune, or as an embodiment of spirits from the afterlife. Its disturbing indoor presence shines another light on the domestic environment. Home, supposedly a place of shelter, safety, and comfort, is transformed into an uncanny stage, tainted by decay, haunted by trauma’. – Text by Dominic van den Boogerd
Constant Companion Installation View: Hotel Maria Kapel, Hoorn, NL, 2021
Constant Companion Installation View: Hotel Maria Kapel, Hoorn, NL, 2021
Constant Companion Installation View: Hotel Maria Kapel, Hoorn, NL, 2021
Place Memory 2021, various materials, metal frame, 190x125x81 cm Installation View: Hotel Maria Kapel, Hoorn, NL, 2021
Place Memory 2021, various materials, metal frame, 190x125x81 cm Installation View: Hotel Maria Kapel, Hoorn, NL, 2021
Place Memory 2021, various materials, metal frame, 190x125x81 cm Installation View: Hotel Maria Kapel, Hoorn, NL, 2021
Quiet World 2020, gouache on cardboard, 23×30 cm
Quiet World 2020, gouache on cardboard, 23×30 cm Installation View: Hotel Maria Kapel, Hoorn, NL, 2021
Crow’s Funeral 2021, gouache on cardboard, 30×20 cm
Crow’s Funeral 2021, gouache on cardboard, 30×20 cm Installation View: Hotel Maria Kapel, Hoorn, NL, 2021
Constant Companion 2021, 4K Video, 16:9, color, stereo, 7.48 min cycle Installation View: Hotel Maria Kapel, Hoorn, NL, 2021
Constant Companion 2021, 4K Video, 16:9, color, stereo, 7.48 min cycle
Produced with support of Dommering Foundation Credits Starring: Nanja Camera: Joao Costa Camera Assistance: Stína Erlingsdóttir Production Assistance: Clémence Lollia Hilaire Second eyes and Editing: Jacob Dwyer Color Grading: Mayis Rukel Sound design & mix: Jacob Oostra Foley: Daimo Da Costa Special thanks to: Wouter Mom, Piotr Urbaniec, Tirza Kater, Caroline Brand
Leak 2020, HD Video, 4:3, color, stereo, 3 min. cycle
Leak 2020, architectural environment, 200x480x209 cm HD video, 4:3, colour, stereo, 3 min cycle Installation View: De Ateliers, Amsterdam, NL, 2020
Leak shows a destabilisation of a state, seen through the material cycle of evaporation and (dis-)appearance. The installation that houses the film resembles something akin to a weather beaten electrical box, with water damaged panels and sputtering and rusted air conditioning units. The borrowed language of commonly seen and apparently functional containers is subverted and implied a seemingly functional space broken and discarded. Inside, a video portrays an unpredictable body of water whose shifting and uncontrollable state seems to have prevented a disaster from being averted. The towels left lying there, as if hastily abandoned, underscore the absence of water – whose traces, by contrast, will never entirely disappear. Text by Fabian Schoneich
Rack (I) & Rack (II) 2020 / various dimensions / laundry rack, glazed ceramics, acrylcast, metal wire Installation View: De Ateliers, Amsterdam, NL, 2020
Rack (I) 2020 / various dimensions / laundry rack, glazed ceramics, acrylcast, metal wire Installation View: De Ateliers, Amsterdam, NL, 2020
Rack (II) 2020 / various dimensions / laundry rack, glazed ceramics, metal wire Installation View: De Ateliers, Amsterdam, NL, 2020
Rack (III) 2020 / various dimensions / laundry rack, acrylcast, pigments Installation View: De Ateliers, Amsterdam, NL, 2020
Loop 2019, cardboard, wood, radiator reflecting foil, ventilation grilles, light sources, dimensions variable Installation View: HISK Exhibition Space, Brussels, BE, 2022.
Loop 2019, cardboard, wood, radiator reflecting foil, ventilation grilles, light sources, dimensions variable Installation View: HISK Exhibition Space, Brussels, BE, 2022.
Loop 2019, cardboard, wood, radiator reflecting foil, ventilation grilles, light sources, dimensions variable Installation View: HISK Exhibition Space, Brussels, BE, 2022.
The Burrow 2017, wood, various materials, print on carpet, 244 x 327 x 110 cm. Photo: Roos Quakernaat.
The Burro w 2017, wood, various materials, print on carpet, 244 x 327 x 110 cm. Photo: Roos Quakernaat.
The Burrow 2017, wood, various materials, print on carpet, 244 x 327 x 110 cm. Photo: Roos Quakernaat.